Factbook

A Dynamic Compendium of Interesting Japanese Literary and Publishing Facts
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    Japan has a popular product category (hybrid books and magazines) called Mukku[UPDATED: 2-21-2018]

    The definition of a Mook is a: “publication, which is physically similar to a magazine, but is intended to remain on bookstore shelves for longer periods than traditional magazines” in a similar manner to a book. They are known as mukku in Japan. 

    The word was apparently first used in 1971 at a Fédération Internationale de la Presse Périodique (FIPP) conference. 

    The format is particularly popular in Japan. Designers (mostly fashion designers) successfully use the format to promote their brands. The Wall Street Journal has reported on the phenomenon calling the ”brand mook” a Japanese publishing hotspot. 

    The format and the word were embraced in Japan, which is often mistakenly credited with coining the term. The continued success and use of the format in Japan has insured the word’s survival and continuation of the format. 

    Many English language dictionaries do not list the word under this definition and often only include a definition of the slang expression spelt the same way meaning: “a foolish, insignificant, or contemptible person”.
    Japan has a popular product category (hybrid books and magazines) called Mukku Posted by Richard Nathan
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    The world’s smallest printed book is a Japanese flower book[UPDATED: 2-12-2018]

    The Japanese printer Toppan produced the world’s smallest printed book in 2013, a 26-page book on Japanese flowers with pages just 0.75 mm in size.

    The micro-book titled: Shiki no Kusabana, flowers of season, lists the names of important Japanese flowers next to their illustrations (monochrome) including cherry and plum flowers, which Japan is famous for.

    Toppan, one of Japan’s largest printers, has been printing micro-books since the 1960s. This book, which is similar in size to the eye of a needle, is on display at its Printing Museum in Tokyo.

    It was printed using the same technology used to print banknotes and has a retail price of 29,400 yen.

    The Guinness Book of Records, which has a database of more than 40,000 different records of which only about 4,000 are published in its annual, lists many ‘smallest books’, including the world’s smallest edition of the Quran printed in 1875.

    It lists the smallest reproduction of a printed book as Teeny Ted from Turnip Town, a Canadian book 0.07 mm x 0.10 mm in size whose letters are carved into 30 micro-tablets on a polished piece of crystalline silicon.

    Toppan’s book is a ‘printed book’ and, unlike the Canadian book, was not produced using nanotechnology or other techniques used in the manufacture of semi-conductors. It has also received a certificate from the Guinness Book of Records.
    The world’s smallest printed book is a Japanese flower book Posted by Richard Nathan
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    Oldest surviving book on Japan written in 712[UPDATED: 2-12-2018]

    The Kojiki, the Record of Ancient Things, compiled by Ono Yasumaru, was completed in 712 after the death of Emperor Temmu, Japan 40th emperor, who commissioned the book. The emperor is mentioned in the book’s preface.

    The Kojiki contains accounts of Japanese history including its origin and mythology that were probably considered ancient even at the time of the book’s compilation, as well as more than one hundred songs, Japan’s earliest recorded.

    The Kojiki is often studied and referenced in parallel with the Nihon Shoki, The Chronicles of Japan, completed 8 years later.

    According to Donald L. Philippi’s introduction to his 1968 translation of the Kojiki, only 32 copies of all or parts of the book still exist. The earliest of which, the Shimpuku-Ji manuscript, was produced between 1371-72. However, older copies of Nihon Shoki from the Heian Period (794-1185) exit.

    Interestingly, the oldest surviving Japanese book is not a book about Japan and its history, but a religious text written in 615 owned by Japan’s Imperial Family.
    Oldest surviving book on Japan written in 712 Posted by Richard Nathan
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    In the 17th century Japan experienced the world’s first camellia publishing boom[UPDATED: 2-9-2018]

    A confluence of events created Japan’s, and probably the world’s first, camellia publishing boom in the second quarter of the 17th century. 

    The arrival from Korea of movable type technology and the printing of the first Japanese book using the technology in 1593 was the catalyst for the commercial publishing that kicked off about a decade later in 1609, in Kyoto, at the start of the Edo Period (1603-1868). Interestingly, most commercial publishers reverted to traditional methods and did not use the new movable type technologies as the local publishing market developed and expanded. 

    The Shogun, Ieyasu Tokugawa (1543-1616), who initiated the Edo Period when he took control of the country, loved flowers and his successor Hidetada Tokugawa (1579-1632), the next Tokugawa Shogun, was particularly fond of camellias. Interest spread to feudal lords and then onwards creating the Kan’ei Era (1624-1644) boom in camellias. Dozens of books, and illustrated guides were produced, at a time before these plants had even arrived in Europe. A similar boom happened in Europe after the arrival of Camellia japonica in the 1830s. 

    Some of the illustrated guides that still exist today are impressive and beautiful as they must have been when produced more than 300 years ago and would not look out of place in a European art museum displayed alongside modern pictures. 

    One of the best examples of these amazingly beautiful Japanese publications is: One Hundred Camellias, attributed to Kano Sanraku (1559-1635), which was created in the midst of this unprecedented camellia gardening boom at the start of the Edo Period. 

    It is 24-meters long and consists of two scrolls and commences with an introduction consisting of prose and poems from 40 different individuals including members of the Japanese imperial family. Camellias are painted and drawn in vivid colours in different containers; baskets, vases, trays, and tea-bowls to name just a few. Following its donation it is displayed annually to welcome in the New Year at The Nezu Museum in Tokyo. 

    One of the best places to witness the long-term effects of this publishing boom is the garden of the central Tokyo hotel Chinzan-so. The hotel’s name means “mountain of camellias” and houses about a hundred different varieties from across Japan with exotic names such as Camellia Akashigata, Kingyohatsubaki, Yokogumo and Hikaru Genji. The famous Haiku poet Mastuo Basho (1644-1694) is said to have lived in a hut facing the garden for four years, long before the hotel was built.  
    In the 17th century Japan experienced the world’s first camellia publishing boom Posted by Richard Nathan
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    Japan is ranked 20th worldwide in terms of output per person of new books and new editions[UPDATED: 12-4-2017]

    In terms of new title publication per capita, the United Kingdom, which is a major international exporter of books and publications, leads the world with the highest ratio of 2,875 new titles published per million inhabitants.

    Japan, which has a larger domestic market than the United Kingdom (40 percent larger) and is the world’s fourth largest domestic market for books and publications, is ranked 20th with a ratio of 613 new titles or new editions per million people, according to the International Publishers Association (IPA). 

    Japan is significantly behind the United States (56 percent), when measured using this IPA international benchmark. The United States, which publishes 959 titles per million people, is ranked 12th -despite being the world’s largest market for books and publications, five times larger than the Japanese market, according to the IPA’s Global Publishing Monitor 2014.

    Nevertheless, despite Japan having a much smaller overall market than China, the world’s second largest market, publishes more new books per head than China, which has a ratio of 325 and is ranked 25th in the world on this measure. However, Japan is ranked behind Taiwan 1,831, Korea 795 and Russia 699 when measured using this ratio. 

    The United Kingdom’s figures are exaggerated by its large number of academic presses that target libraries around the world and educational publishers that often publish language learning series with multiple components each of which are often counted as individual titles despite being associated with a textbook. Its domestic market is 60% the size of Japan’s.
    Japan is ranked 20th worldwide in terms of output per person of new books and new editions Posted by Richard Nathan