Factbook

A Dynamic Compendium of Interesting Japanese Literary and Publishing Facts
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    Books in Japan generally published as tanko-bon, bunko-bon or both[UPDATED: 5-19-2018]

    There are two standard book formats in Japan tanko-bon and bunko-bon. Most works of fiction are initially published as tanko-bon and then after a given period, that can sometimes range from 1 to 4 years, as bunko-bon.

    The content of a book and the publisher may also differ across the two editions. Some books, however, are only published as tanko-bon.

    Bunko or bunko-bon is the widely used Japanese term for a book that is a small-format paperback book designed to be affordable, portable and not take up too much shelf space. The format has a long and interesting history going back to books designed to fit into the sleeves of kimonos in Japan’s Edo Period (1603-1868). 

    The direct translation of tanko is ‘standalone’ or ‘bound’ and bunko ‘storeroom for written works’ or ‘library’ and ‘bon’ is book. 

    The modern form bunko-bon emerged at the turn of the 20th century. Two publishing houses (Shincho Bunko in 1914 and Iwanami Shoten in 1927) are often cited as having pioneered the modern versions.

    According to International Book Publishing: An Encyclopedia, Iwanami Shoten developed the market for the current popular bunko format in Japan with its imprint the Bunko Classics Series. The imprint was modeled on the German publisher Reclam Verlag’s series Universal Library.

    The Bunko-bon format, in addition to ebooks, is now exploited by Japanese publishers, in a similar manner to mass-market paperbacks in the United States, as cheap editions of books that have already been published as tanko-bon.

    They are typically printed on hardwearing paper, bound in a similar manner to English-language books, and usually, as is the case with most books in Japan, have a detachable outer cover (dust jacket) over a plain cover.

    The vast majority of bunko-bon are A6 (105×148mm or 4.1″×5.8″) in size and are sometimes illustrated. On the other hand, the size of tanko-bon (which can be either hardcover or softcover) are much more varied. The typical tanko-bon size, however, generally mirrors standard A5 or B5 paper sizes.

    Despite the similarities in terms of print production unlike English-language books, most Japanese books are printed to be read top-to-bottom (with vertical lines of text as opposed to horizontal text) and from right to left.  
    Books in Japan generally published as tanko-bon, bunko-bon or both Posted by Richard Nathan
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    Encyclopedia, known as dictionaries of a hundred subjects, have been published in Japan for more than a thousand years[UPDATED: 3-22-2018]

    In Japan encyclopedia are called hyakka jiten (百科事典), which literally means “dictionary of a hundred subjects”. They have been compiled and published since Japan’s Heian Period (794-1185). 

    The first Japanese encyclopedia is said to be the Wamyo ruijusho published in 938. Other Japanese encyclopaedia are considered its descendants. It survives today in its 10 volume and 20 volume formats.
    Encyclopedia, known as dictionaries of a hundred subjects, have been published in Japan for more than a thousand years Posted by Richard Nathan
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    Japan’s first commercial publishing emerged in Kyoto in the early 17th Century[UPDATED: 3-5-2018]

    Following the arrival from Korea of movable type technology and the printing of the first book using the technology in 1593, after Japan’s invasion of Korea, a new industry emerged in Japan -commercial publishing. 

    According to academics, such as Donald Keene, professor of Japanese at Columbia University, “printing soon developed into the hobby or extravagance of the rich, and many examples of Japanese literature began to appear in small editions,” with commercial publishing only arriving about a decade later in 1609, in Kyoto, at the start of Japan’s Edo Period (1603-1868). 

    According to The History of the Book in East Asia, by Cynthia Brokaw and Peter Kornicki, the Kyoto-based publishers mostly didn’t use movable type, even though the technology helped trigger the birth of the industry 

    Three publishing hubs in Kyoto, Osaka and Edo (later known as Tokyo) developed over time, with Edo initially being a market for books, as opposed to an originator of them. 

    There was only a limited amount of publishing conducted by the Shogunate authorities (the government) during this period. Some of their publishing needs, such as the printing of calendars, maps and directories, were outsourced to commercial publishers. Commercial publishers dominated the industry, commissioning the engraving of print blocks and selling titles.
    Japan’s first commercial publishing emerged in Kyoto in the early 17th Century Posted by Richard Nathan
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    The Long Winter, the sixth book in the Little House series, was the first book approved for translation and publication in Japan after World War II[UPDATED: 3-5-2018]

    During the American occupation of Japan, after the Second World War (1945-1952), all publications were reviewed by General Douglas MacArthur’s team at GHQ (General Headquarters). MacArthur, the Supreme Commander for the Allied Powers (SCAP), recommended The Long Winter, the sixth book in Laura Ingalls Wilder’s series for publication. It was published in 1949, under the title Nagai Fuyu by Kosumoporitan-sha (Cosmopolitan Publishing) translated by Aya Ishida. 

    Nagai Fuyu is generally cited as the first translated book to be granted permission for publication by SCAP. During the war the publication, distribution and reading of books in English were prohibited in Japan and more than a thousand books were banned or censored. 

    The Long Winter is about the Ingalls family in the Little House series surviving being snowed in with limited food supplies during a long eight-month winter. The Long Winter was apparently chosen to aid “democratization” and to “buoy the morale of a defeated and starving people”. 

    One of the stated strategic goals of the occupation was “to build a future for the people of Japan based upon considerations of realism and justice” and “to infuse into the hearts and minds of the Japanese people principles of liberty and right heretofore unknown to them.” 

    Learning about American values and America was part of this. GHQ actively encouraged the book’s distribution to public, and school libraries across Japan. German translations were published in a similar effort. 

    Laura Ingalls Wilder wrote a special message, dated 8 July 1948, to the children of Japan, which appeared in the book. It ran as follows: “things of real value do not change with the passing of years nor in going from one country to another.  These I am sure you have.  It is always best to be honest and truthful, to make the most of what we have, to be happy with simple pleasures, to be cheerful in adversity and have courage in danger”. The book was very popular. 

    In 1975, a Japanese anime version of the series was launched under the title: Sogen no sojo Laura (Laura the Prairie Girl). And like many other countries around the world the television series Little House on the Prairie, based on the third book in the series, was broadcast in Japan from 1975-1982. The books were originally written during the Great Depression with the first in the series published in 1932.
    The Long Winter, the sixth book in the Little House series, was the first book approved for translation and publication in Japan after World War II Posted by Richard Nathan
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    The first Japanese translation of the bible was produced around 1549[UPDATED: 2-27-2018]

    St. Francis Xavier is said to have brought a Japanese translation of sections of The Gospel According to Matthew with him when he arrived in Japan in 1549. The translation was done by a young Japanese man called Yajiro, who is generally reported to have been the first Japanese person to convert to Christianity. He converted while living in Goa, India. 

    Subsequently, in 1837, Karl Gutzlaff (1803-1851) translated, with the help of several Japanese people, The Gospel and Epistles of John into Japanese. This translation is sometimes cited as the first Protestant translation. 

    When Japan opened up to the West in the Meiji Era (1868-1912) the American missionaries James. C. Hepburn (1815-1911) and Samuel. R. Brown (1810-1880) worked on a new complete Japanese translation of the Bible, which was published in 1880. Hepburn also compiled an English-Japanese dictionary consisting of twenty thousand words published in 1867. 

    In comparison, the famous Gutenberg Bible, the first major Western book printed using movable metal type in Europe was published in 1452, and England’s first printed bible was published in 1535.
    The first Japanese translation of the bible was produced around 1549 Posted by Richard Nathan
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    Japan’s first monthly book series for Kindergartens, launched in 1907, is still being published 90 years later[UPDATED: 2-22-2018]

    Kinderbook was launched in 1927 as the Observational Picture Books Kinder Book, by Froebel-Kan, a Tokyo based company named after the German educator Friedrich Wilhelm A. Froebel (1782-1852), who established the world’s first kindergarten, and coined the name for these learning centres.  

    The decision to launch Japan’s first monthly picture book series for pre-school age children followed the first Japanese regulations in 1926, known as the Kindergarten Ordinance, introducing new standards and teacher qualifications for kindergartens. 

    The first issue, published the year after the regulations were enacted, was titled: All About Rice. Illustrated books were published monthly, in a magazine style approach, and were and still are distributed directly to kindergartens across Japan. The number of which increased after the Ordinance, when about 6% of the population attended kindergarten. 

    Froebel-Kan, founded in 1906, now owned by one of Japan’s largest printing companies, Toppan Printing Co.Ltd, still publishes the series, which has evolved and developed over the last 90 years alongside new printing, design and educational techniques. 

    Many talented authors and illustrators have worked on the series including the famous Japanese poet Shuntaro Tanikawa. The books document in a very unique way Japan’s modernisation and some difficult periods that its authors, illustrators and publisher had to navigate including: the aftermath of natural disasters and war. 

    According to its publisher’s website, the series “gives children the power to live and to develop their future, and an abundance of spirit”. The company now also publishes a monthly childcare magazine, sells playground equipment, and helps design kindergartens and early learning centres. It also publishes the popular Japanese language editions of Where’s Wally, by the English illustrator Martin Handford.
    Japan’s first monthly book series for Kindergartens, launched in 1907, is still being published 90 years later Posted by Richard Nathan
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    Japan has a popular product category (hybrid books and magazines) called Mukku[UPDATED: 2-21-2018]

    The definition of a Mook is a: “publication, which is physically similar to a magazine, but is intended to remain on bookstore shelves for longer periods than traditional magazines” in a similar manner to a book. They are known as mukku in Japan. 

    The word was apparently first used in 1971 at a Fédération Internationale de la Presse Périodique (FIPP) conference. 

    The format is particularly popular in Japan. Designers (mostly fashion designers) successfully use the format to promote their brands. The Wall Street Journal has reported on the phenomenon calling the ”brand mook” a Japanese publishing hotspot. 

    The format and the word were embraced in Japan, which is often mistakenly credited with coining the term. The continued success and use of the format in Japan has insured the word’s survival and continuation of the format. 

    Many English language dictionaries do not list the word under this definition and often only include a definition of the slang expression spelt the same way meaning: “a foolish, insignificant, or contemptible person”.
    Japan has a popular product category (hybrid books and magazines) called Mukku Posted by Richard Nathan
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    The world’s smallest printed book is a Japanese flower book[UPDATED: 2-12-2018]

    The Japanese printer Toppan produced the world’s smallest printed book in 2013, a 26-page book on Japanese flowers with pages just 0.75 mm in size.

    The micro-book titled: Shiki no Kusabana, flowers of season, lists the names of important Japanese flowers next to their illustrations (monochrome) including cherry and plum flowers, which Japan is famous for.

    Toppan, one of Japan’s largest printers, has been printing micro-books since the 1960s. This book, which is similar in size to the eye of a needle, is on display at its Printing Museum in Tokyo.

    It was printed using the same technology used to print banknotes and has a retail price of 29,400 yen.

    The Guinness Book of Records, which has a database of more than 40,000 different records of which only about 4,000 are published in its annual, lists many ‘smallest books’, including the world’s smallest edition of the Quran printed in 1875.

    It lists the smallest reproduction of a printed book as Teeny Ted from Turnip Town, a Canadian book 0.07 mm x 0.10 mm in size whose letters are carved into 30 micro-tablets on a polished piece of crystalline silicon.

    Toppan’s book is a ‘printed book’ and, unlike the Canadian book, was not produced using nanotechnology or other techniques used in the manufacture of semi-conductors. It has also received a certificate from the Guinness Book of Records.
    The world’s smallest printed book is a Japanese flower book Posted by Richard Nathan