A Dynamic Compendium of Interesting Japanese Literary and Publishing Facts
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    Winning the 1987 Japan Mystery Writers Association Prize put Miyuki Miyabe on the literary map triggering a boom in female crime writing in Japan[UPDATED: 9-20-2021]

    Miyuki Miyabe’s short story Warera no rinjin wa hannin (Our Neighbour is a Criminal) won the 1987 Japan Mystery Writers Association Prize, announcing her arrival as a writer in Japan. 

    Her success, especially her 1992 novel Kasha (All She Was Worth) about loan sharks, debt and the risks of a cashless society, as well as the success of similar books written by non-Japanese female authors published in translation in Japan encouraged a new generation of Japanese women to try their hand at the genre. 

    Some went on to enjoy major success and something of a publishing boom developed in Miyabe’s wake. Such authors as Natsuo Karino and Kaoru Takamura whose profiles are now growing outside Japan. 

    Karino’s prize-winning 1997 novel Out (アウト) has been described as a “dark, feminist, horror and probably not like anything you’ve read”. The book is about a group of women working together at a factory who find themselves coming together to cover up a murder, but not everyone “handles the guilt well”. Other notable and successful Japanese female crime fiction authors include: Asa Nonami and Yoshiki Shibata. 

    Interestingly, crime fiction written in the 90s by women in the US and the UK also saw a similar surge in popularity. 

    Though there have always been female writers of whodunits finding success in translation; Agatha Christie (1890-1976) being perhaps the best known, Japanese media has tended to play up the authors’ gender to promote the books by using titles like the crime fiction “Queen”, or “Princess”, or some such moniker. 

    As the trend evolved and gained momentum, names of strong female characters started appearing in the narratives themselves and not just on the covers of the books. Books like Out would feature female detectives and criminals, as well as dark, grisly stories whose narratives included violence done by and to women. 

    As their writing careers have progressed some of these Japanese authors have followed Miyabe’s example by branching out into other genres including science fiction and historical fiction. 

    The phenomena, like other Japanese popular culture trends, has even created an opportunity for academic study with the publication of such papers as Woman uncovered: pornography and power in the detective fiction of Kirino Natsuo; and monographs such as Bodies of Evidence: Women Society, and Detective Fiction in 1990s Japan.
    Winning the 1987 Japan Mystery Writers Association Prize put Miyuki Miyabe on the literary map triggering a boom in female crime writing in Japan Posted by Richard Nathan
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    Japan’s first ‘detective story’ was published in 1889[UPDATED: 5-4-2021]

    Ruiko Kuroiwa (1862-1913), who founded a newspaper and edited several others, is widely thought and cited as having written Japan’s first ‘detective story’, a classic whodunit style short story titled Muzan (In Cold Blood), nine years after the first modern Japanese short story, Dancing Girl, by Ogai Mori, was published in 1890. 

    That said, Japan actually has a much longer and very rich history of crime fiction, the broader genre that the sub-genre detective fiction falls within, which was defined only after highly influential Western-style detective fiction started spreading in Japan in translation.

    So much so that early Western visitors to Japan sometimes pontificated on its extent and corrupting influences as well as the fact that many of these Japanese books were “coarsely” illustrated. 

    Nonetheless, some academics also cite others works by Japanese authors published at a similar time to Kuroiwa’s short story as the first authentically Japanese ‘detective story’.

    Detective stories were known then and up until World War II in Japan as tantei shosetsu (detective books) after which they were renamed suiri shosetsu (reasoning books). 

    Kuroiwa was part of the new literary class that emerged in Japan’s Meiji Era (1868-1912), a period of rapid modernisation and change when Japan was opening up to Western influence after the resignation of the Shogun and more than two hundred years of self-imposed isolation.  

    Kuroiwa initially joined others in translating European books, such as Jules Verne’s (1828-1905) Le Voyage dans la lune, before penning Japan’s first detective story. He also translated The Time Machine, by H.G. Wells (1866-1946). He reportedly translated around 100 novels from French and English into Japanese.

    However, it was Taro Hirai (1894-1965), writing under the pen name Edogawa Rampo, who established the modern genre in Japan and popularized it by combing scientific method with Japanese sentiment, as well as the suspense-type narratives that had been popular in Japan’s Edo Period (1603-1868) the period that preceded the Meiji Era.

    Several years after graduating from Wasada University, where subsequently many famous authors studied, Hirai published his debut work: The Two-Sen Copper Coin (二銭銅貨 Nisen doka) in 1923.

    Somewhat like Yukio Mishima (1925-1970) many years later after the Second World War, Hirai had the rare ability to bridge and blend the new rapidly urbanising Japan with the old Japan, helping readers of his generation deal with transitioning society through fiction.

    He was and is still highly influential and a prize (The Edogawa Rampo Prize) named after him has been awarded every year since 1955.
    Japan’s first ‘detective story’ was published in 1889 Posted by Richard Nathan
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    Japan has 12 different literary prizes for mystery writers[UPDATED: 2-12-2018]

    Japan has 12 different prizes for mystery writers including The Agatha Christie Award, which was launched in 2010 on the 120th anniversary of Agatha Christie’s birth for unpublished novels. The first winner was Akimaro Mori for The Black Cat Takes a Stroll

    Some other notable prizes include: the Mystery Writers of Japan Award, the Edogawa Rampo Prize and the Honkaku Mystery Award.  
    Japan has 12 different literary prizes for mystery writers Posted by Richard Nathan
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    Keigo Higashino is the most popular contemporary Japanese author in China[UPDATED: 2-7-2018]

    The award-winning Japanese mystery writer Keigo Higashino is the most popular living Japanese author in China. His books regularly top the bestsellers lists in China. 

    The Chinese translation of Higashino’s Miracles of the Namiya General Store was Amazon’s bestselling paperback in China in 2017 and its third bestselling e-book. His novel Journey Under the Midnight Sun was the fourth bestselling paperback in 2017. 

    According to China Daily, Higashino’s novels have made it into the top 10 of these two rankings for four consecutive years since the Chinese edition of Miracles of the Namiya General Store was first published in 2014 in China. 

    His books aren’t just bought; they are also widely borrowed. In 2016, his novel by, Mysterious Night, was the third most frequently borrowed book at Peking University Library, the main library at China’s leading and most prestigious university.

    Higashino also had the two most requested and reserved books at the Library, The Miracles of the Namiya General Store, and Journey Under the Midnight Sun. The only other novel in the library’s top ten was Animal Farm, by George Orwell (1903-1950), the seventh most borrowed book from the library. 

    Higashino’s popularity is not just limited to China and Japan. In 2017, three of top ten bestselling novels in South Korea were also by him. Making him a massive hit in the world’s second, fourth and tenth largest markets respectively, as measured by the International Publishers Association (IPA).

    Journey Under the Midnight Sun, structured as a series of short stories, was initially published in serial format in a Japanese magazine (1997-1999) and in book format in 1999. It has been adapted for television, the stage, and for film in Japan and Korea.  
    Keigo Higashino is the most popular contemporary Japanese author in China Posted by Richard Nathan